My words exactly.
Photography/Film is not for the insecure. Yet, I fall under that category as I’m sure many do.
I feel that Jennie expressed the inner conflict so perfectly in her post. I see several images like this “I was ready to walk away forever and somehow we keep going.” I think the personalities in this field can be painted very stereotypically as overcharging, mommy-blogging, outgoing, trend-searching, financially insane, abrasive self-sellers but we are so much more complex than that. It’s a competitive field, that’s true but not all of us are ruthless. It seems that so many forget the hours spent in dark rooms, late at night, finishing edits. Or the fact that it’s an art, truly that grabs our eye or breaths life into the world around us not the top ten poses with the exact same smile. Truly, what I find most intriguing about film and photography is it has endless opportunities to learn something new. I want to know EVERYTHING and honestly? I don’t think it’s possible, but I’ve loved the process of trying to get to the proclaimed “expert.” Not because I want a pay-raise but because each time something clicks, it’s EXHILARATING.
My personal win: (don’t read if you don’t care, I’m not trying to brag but trying to document moments like this so when I’m feeling insecure and need to remember why I do what I do.)
I was contacted two weeks ago from a woman I have always admired. To be honest, "admire" is an understatement. If it were up to me to choose whose voice would narrate my life in my own head or in a movie, she’d be my choice (sounds like HONEY.) She was interested in me taking her family pictures. Immediately I thought that it must be a mistake. She was either recruited by my mom begging her or because she pitied my financial situation. Furthermore, SHE’s a photographer and pretty much living my ideal life (living in Sundance, travels the world to empower women and save wildlife, independently wealthy, incredible curly hair…etc) We scheduled it, I researched my butt off to try and be the best I could for her and then her grandkids got sick so we postponed the shoot but she invited me to dinner. Even though I knew I would love sitting and listening to the sounds of nature with her, I was nervous she would see how much I wanted to make her happy. It helped me to go up and see the style of photos she likes and how it is hard to capture her soul as accurately as she is but as she talked to me she kept saying phrases like, “Your style is so natural” or “this photo is like what I’ve seen of yours; bright and joyous” or “it’s why I was originally drawn to your work.” Meg doesn’t lie and those small tidbits of words hinted that she KNEW my work. More than that, SHE liked MY work and had faith I could capture her. I felt that the experience was the greatest compliment I have ever received.
You know the question that people ask, "if you could have a meal with anyone, who would it be?" I feel lucky because the person I would choose actually gives me the privilege to be invited up to her home on occasion.
If you ever worry you’ll never be good enough. Whether it’s something you are passionate or not, the book “Editing” by Justin Chang has proven to me that we’re not alone (at least in the film industry.)
“For a long time, psychologically, I never felt I was good enough. All the other editors I worked with were so sure of themselves; they were all so well spoken and loquacious. I could never talk like that.” -Michael Kahn (Steven Spielberg editor)
“If something doesn’t seem quite right and you don’t really know why, simplify.” -Anne Coates (Oscar winning editor)
“If editing is anything, it’s telling a story and applying a rhythm to that story.”-Richard Marks (editor of Godfather: Part II, Apocalypse Now, Say Anything, You’ve Got Mail…etc)
“Film schools can teach you technique, but they can’t teach you pacing and rhythm; those are things you have to have in you to begin with, or you have to teach and train yourself.”-Valdis Oskarsdottir (Eternal Sunshine of a Spotless Mind editor)











